Results of Day Four at Moscow Fashion Week

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On the fourth day of Moscow Fashion Week, collections were showcased by brands from Moscow, St. Petersburg, Krasnodar, Rostov-on-Don, Samara, and Yakutsk, as well as from two international participants: Spain and Turkey. Moscow Fashion Week is not only one of the industry’s largest global events, but also a vital platform for young and emerging designers to present their work to a wide audience, connect with experts, and attract new clients and partners.

Sergey Sysoev Fashion School, Kosygin University (Moscow)
At Moscow Fashion Week, Sergey Sysoev Fashion School from Kosygin University presented its Spring-Summer 2026 collection. Students experimented by merging traditional craftsmanship with innovation. “Modeling and embroidery, collage and printmaking, papier-mâché, sculpting and 3D printing, applique techniques and felting, all kinds of knitting and lace weaving, macramé, patchwork and leatherwork, historical and innovative corsetry,”  this is how designer and founder Sergey Sysoev described the collection.
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 Ermilov (Ermi) (Moscow)
The Ermilov (Ermi) brand unveiled its menswear collection titled Create, a clear reflection of the label’s DNA: projecting the architecture of man in nature. Varied shapes, deep tones, and soft lines form the foundation of this new line. The collection emphasizes flawless minimalist casual style — seen in intentional looseness, asymmetry, raw hems, and crinkled fabrics. One key feature deserves mention: the label processes garments by shrinking, aging, and dyeing them through different hand techniques, achieving a unified silhouette and visual integrity.
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Emre Erdemoğlu (Turkey)
Returning once again to Moscow Fashion Week, Turkish brand Emre Erdemoğlu showcased a new collection where leather took center stage in all its variations. From maxi trench coats and oversized biker jackets to tailored suits, leather dominated the runway. Suede accents and fur pieces complemented the aesthetic. Suede fringe, leather harnesses, and wide belts highlighting the waist echoed Wild West motifs, while dramatic details — such as long gloves and beaded embellishments — completed the outfits.
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SOL Selivanova Olga (Moscow)
The Moscow-based brand SOL Selivanova Olga presented the collection I’m Creating the Life of My Dreams. The brand’s DNA is rooted in artistry, spontaneity, nonconformism, playful asymmetry, and an exploration of new forms and meanings. Signature prints and the recurring headscarf accessory define the label’s codes. The line featured feminine silhouettes with sharp definition, contrasted with oversized items and accessories — including standout handbags.
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Anna Kropotova (Rostov-on-Don)
The brand Anna Kropotova introduced a collection distinguished by voluminous cocoon skirts and dresses with “fractured” effects that create dynamic rhythm. Mohair jackets and coats contrasted with airy shapes, while sculptural silhouettes drew inspiration from the icy formations of Lake Baikal. A rich color palette mirrored the frozen hues of its surface. Organza with a custom pleated effect became the label’s signature fabric this season.
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Duly Romero (Spain)
On the runway, Spanish brand Duly Romero brought to life a blossoming floral garden. Petal-inspired appliqués adorned many looks, from mini dresses shaped like flowers to delicate embellishments. Feminine touches were amplified through taffeta and feather accessories, pastel tones, and ethereal silhouettes.
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Li Lab (Moscow)
This season, Li Lab continued its exploration of the power and dominance of black. Maxi dresses with bold side slits, open-back tops, striking minis, floor-length gowns with dramatic trains, asymmetric shoulders, and tailored jacket-dresses with cinched waists — all stood out through high-quality fabrics, innovative cuts, and impeccable fit.
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Oleg Levitskiy (Krasnodar)
Krasnodar-based Oleg Levitskiy is known for emphasizing structural elements in clothing. The label’s DNA lies in architectural cuts and provocative design. This collection maintained that signature: intentionally unfinished looks, exposed seams, asymmetrical forms. Dedicated to the backstage of Russian theater in the late 19th century, most pieces resembled costumes turned inside-out. Materials included wool, linen, silk, artisanal fabrics, and vintage-dyed textiles.
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Kisselenko (St. Petersburg)
St. Petersburg brand Kisselenko presented Collection No. 57. Minimalist designs with an Oriental touch combined original yet comfortable cuts, luxurious fabrics, flawless lines, and balanced proportions. Designer Lilia Kisselenko favors black as a symbol of reflection and purity. Strict geometry and asymmetrical tailoring allowed versatile layering and combinations. The lineup featured oversized coats, silk blouses, raw-seam trousers, flowing jumpsuits with draping, and cozy wool and cashmere dresses, paired with signature jewelry.
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Boyari (Moscow)
Innovative Moscow brand Boyari introduced its new collection Couture. The brand’s DNA incorporates sustainable fabrics such as Appleskin and Tencel. The collection built on contrasts: classic shirt materials framed in black appleskin, while exaggerated New Look-inspired silhouettes carried the freedom and charisma of the brand’s creator, Olga Boyarinova.
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Ogo Citizen (Yakutsk)
Yakutian brand Ogo Citizen explored contrasts. Its new collection Kubuļuyuu (“transformation”) reflected on bodily boundaries through evolutionary aesthetics. Freedom and accident were central: deformed silhouettes, asymmetric draping, and unfinished details clashed with rigid structures, resembling forms born from chaos. Highlights included sculpted spine tops, corset-armor pieces, distorted sleeves, unraveling seams, and a palette of muted beige with coal black, punctuated by surprise color accents.
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Lesia Lisun (Moscow)
Artisanal brand Lesia Lisun unveiled the Hedonism collection. It carried nuanced shades of indulgence, expressed through precise silhouettes and experimental tailoring. Details included handmade pewter buttons and natural fabrics, treated with hand-dyeing and washing. The brand’s deconstructivist avant-garde aesthetic was evident, particularly in semi-transparent suits and dresses, a sleeve-shaped handbag, and structural deconstruction as a defining motif.
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Za_Za (St. Petersburg)
St. Petersburg’s Za_Za is known for its bold experiments with color and form. Designer Alexandra Koryakina emphasized daring design and meticulous tailoring. The collection embraced deconstruction and layering, while floral and botanical appliqués hinted at the hidden beauty within us all.
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Children’s Collective Show (Yekaterinburg / Moscow)
La Petite Lucie, Nastas’ya, Alin Bambini/Alis Muse, Alena Polekhina, Elena Melyakina
VDNH
The children’s showcase opened with delicate multi-tiered skirts paired with denim, followed by marine-inspired looks featuring nets and oversized toy fish, and concluded with cozy French-styled outfits complete with berets.
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Fashion Territory Samara (Samara)
VDNH
The Fashion Territory project presented the creative and industrial potential of the Volga region. The collective show combined graduate works from two design schools with collections by two brands. Vlada Enns’ Welcome to Baikal collection, inspired by Buryat costume and Baikal culture, used jacquard with Buddhist motifs. Alina Semakina’s Locura, influenced by Dries Van Noten, transformed embroidery, appliqué, and painted textiles into art objects. Alisa Petrova’s Mycelium drew from plant forms, reflecting both nature’s richness and fragility. Olga Pronina’s Levsha brand reimagined the Soviet roly-poly toy in Code Red with inflatable sleeves and dome skirts. dEbosh store, an upcycling project by stylists Viktoria Glukhova and Irina Levitan, showcased bold deconstructive pieces, mostly transformable jackets and vests.
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Alena Cojocaru (Moscow)
VDNH
Designer Alena Cojocaru reinterpreted the imagery of Empress Catherine II, referencing both women’s and men’s costumes of the era. Sharp shoulders and corseted fits echoed modernity, while soft lines and layers conversed with the past. Premium fabrics such as cotton, wool, and matte velvet defined the collection, enriched with upcycled elements from archival designs. Colors included deep blue, black with red, shades of green, and ivory.
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The Kosygin State University of Russia Institute of Arts (Moscow)
VDNH
The Kosygin State University of Russia Institute of Arts — heir to the VKhUTEMAS textile design faculty where legends like Varvara Stepanova once taught — presented graduate collections with over 80 looks. Blending tradition and modernity, the designs ranged from streetwear-inspired to futuristic, some resembling scenes from fantasy films.
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Shuyskie Sitsy (Shuya)
VDNH
Shuyskie Sitsy presented a collection inspired by traditional Russian costume, from authentic sarafans to modernized interpretations of folk attire. A men’s line featured roomy shirts and quilted jackets. Recently, the brand revived 19th-century textile prints from museum archives, using them to create garments that feel both contemporary and steeped in history.
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Khayam Khanukaev (Moscow)
VDNH
Designer Khayam Khanukaev, who began his career in theater and film costume, presented The Muse. The collection was a dreamscape of delicate fabrics: chiffon evening gowns, organza blouses with layered ruffles, silk-and-voile skirts, and embroidered jackets with Oriental motifs, all forming the image of a woman like a fragile flower.
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Polone (Moscow)
VDNH
Brand Polone unveiled The Poem of Seven Tales, inspired by Viktor Vasnetsov’s cycle about Ivan Tsarevich’s search for Elena the Beautiful. Prints of Elena’s magical braid adorned models, while carpet motifs became part of several looks. Polone worked with traditional Russian crafts — Gorodets embroidery, Vologda lace, and Krestets stitch — reimagined in a modern context.
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In the Moscow Fashion Week Lecture Hall, discussions included The Hat as an Art Object: Extraordinary Forms, Cultural Plagiarism or Inspiration?! Famous Fashion Scandals, Fashion Without Borders: Cultural Codes Shaping Global Trends, and Armenia’s Cultural Code in Fashion. Speakers included Natalia Edis, Anatoly Vovk, Lucy Pylaeva, and Marina Barykina.

At Artplay Design Center, the fifth edition of World Fashion Shorts film festival took place, with five winning films selected by the Advisory Board.